This CD features 's vibes and 's piano in ten classical duos with jazz improvisations. The two styles have never merged with more soul, spirit, or, well, virtuosity, and the material is rich and varied enough to please fans of both. It begins with one of 's most popular compositions, Le Tombeau de Couperin, which in these masterful hands sparkles as it flows, reminding listeners why 's harmonies inspired so many jazz musicians. The collection includes a thunderous prelude leavened with swing and a Latin feel, a Brazilian take on, the lush and passionate tango 'Milonga,' a gorgeous, extended medley from the opera Lakme with a familiar second part (arranged by Jay Kennedy, who worked on four of the tracks here), and a gem where it's hard to tell the original from the improvisation. There are two beauties by, whose 1924 'Rhapsody in Blue' first collapsed the wall between jazz and classical music; and add new bluesiness to his 'Prelude No. 2' and comment brilliantly on his 'Piano Concerto in F.'

On Sonata K20, they soften Scarlatti's starchy edges with sensuous Latin figures. In yet another pleasing segue -- this CD is very well-paced -- this is followed by a rare 'Impromptu,' all shifting, -like pastels until introduces some barrelhouse piano. The closer is 's quiet, haunting 'Something Borrowed, Something Blue,' which was inspired by the project itself.

And produce a fulsome, totally satisfying sound, and their fluidity and grace are astonishing. 's extensive notes explain the selections and approach to each piece, deepening the experience. A stunning accomplishment, and highly recommended.

ARTS MARKETING. Eight types of customer value and the case of Gary Burton. Given this definition, I have gone on to develop a Typology of Customer Value based on three key dimensions or distinctions. Modern War Android Gold Glitch. Brahms ( Virtuosi with pianist Makoto Ozone on Concord Jazz). I could go on, but the point. Brooks, Charles Bryant, 'An analytical approach to vibraphone performance through the transcription and analysis of Gary Burton's solo on Blue. Goodman, Lionel Hampton defined jazz vibraphone performance until the emergence of. Thelonious Monk from Burton's duo album with pianist Makoto Ozone Face to Face.